Path That Follows Trailer

This was a collaboration project. I modeled the environment, music, story, video editor.

Chris Ross: Level Designer, UR4 blueprinting/programmer

Evan Sylve: Enemy Artist, UI Designer, Animator

Kat B: 2D Artist, Texture Artist, Character Artist

Erik Reyes Demo Reel

A scene I tested for VR,

Weapon Concepts provided by Katija Bjelajac

This was done in substance painter. I learned a great deal of making proper UV for this as well as the need for properly tiled textures.

A small Villa UVed and ready for texturing. This is a practice piece since for a
post apocalyptic game in the works.

Concept

View From Oil Rig

Untextured

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 I finished UV mapping all that i need and placed most of the duplicated parts. I had trouble with getting
the perspective and depth of field the concept below had.

Im trying to envision how the openings would look from the perspective from one of the platforms

It took a while to UV map the parts before I duplicated them. I messed around with the edge smoothing materials. In all, its pretty demanding compared to the other models. 

This is textured version from a concept by Coldesign. The textures i derived from references from satellites such as the Hubble Telescope or communication satellites. Using a Color ID map, I was able to use Substance Painter to get specific details (gold creases and solar panel) were I wanted.

Front and Three-fourths view

Top View

Bottom

Lower Platform

Under view

View from the lower platform

Middle

Under the top platform

Wire Frame

Concept

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Below are some emissive materials I wanted to test. These were the same materials from the Zero Armor model before. I wanted to see how the view port settings as well as the post effect glare in Substance effects them. I learned that emissive materials work better when they are NOT on a separate material. If they are, I get the stylized Tron look on the edges of the model. The blue emissive material on the inside of the solar panel wings were apart of the base material so I had to manually paint them on the mask for a more realistic light glow.  I had fun with these

Middle

Full lower view

Close-up Engine

Front

Three-fourths turned

Top view

Under the upper platform

Under view